September 16, 2026
I Once Seized An Entire Church But Could Not Win A Single Open House

I Once Seized An Entire Church But Could Not Win A Single Open House

Henry VIII attends a bidding war for a two bedroom flat and loses to a couple named Tom and Priya

I confiscated the wealth of every monastery in England within a matter of years. A two bedroom flat in Walthamstow has now defeated me twice.

The Open House

Fourteen people arrived at the same viewing slot, each given exactly ten minutes to inspect a flat and privately calculate how much of their future they were willing to surrender for it. The estate agent, a young man named Oli wearing a suit slightly too large for him, stood in the kitchen repeating the phrase lots of interest to everyone individually, as though it were a spell rather than a sales technique, though I concede it worked on me regardless.

The Guide Price

The listing said offers over four hundred and twenty thousand pounds, a phrase I now understand to mean absolutely nothing, in the same way my promises to Catherine of Aragon meant absolutely nothing the moment a better arrangement presented itself. Oli confirmed the true expected price was closer to four hundred and sixty, information he shared only once I had already fallen in love with the airing cupboard.

Best And Final

Two days later Oli called requesting best and final offers by five o’clock Friday, a deadline with more genuine menace than most ultimatums I issued to entire nations. I submitted an offer I believed generous, financed partly through savings and partly through a documentary licensing deal for my life story, and I waited by the phone the way I once waited for word from Rome, except Rome eventually answered.

Tom And Priya

Oli called back to say the flat had gone to a couple named Tom and Priya, both in finance, who had offered eleven thousand pounds above asking and waived their survey entirely, a level of confidence I have only previously witnessed in men about to lead a doomed charge at Boulogne. I asked Oli to at least tell Tom and Priya I fought bravely. Oli said he does not typically pass along messages of that nature.

The Aftermath

I have since viewed six more flats, lost four more bidding wars, and developed a genuine respect for anyone in this city who has successfully purchased a home without dissolving a religious institution to fund it. Somewhere out there Tom and Priya are choosing paint colours in a flat that was, briefly, emotionally mine. I hope the airing cupboard haunts them. I have arranged for very little in this life to go unpunished, and I see no reason to start with Tom and Priya.

The Next Attempt

Oli has since added me to a mailing list for new instructions in the area, a small mercy I appreciate more than he probably intended. I view three flats a week now, purely for the material, and I have made a private vow that whichever property I eventually win, Tom and Priya’s names will never be spoken beneath that particular roof. Some grudges outlive kingdoms. This one, I suspect, will outlive the mortgage.

The full account of everything else I have lost since coming back lives permanently over on the homepage. Further reading on the wider chaos of modern Britain: the marriage that relocated quietly to zone six, the capital’s full field guide to modern grifts, the full eyewitness account of how I came back in the first place.

Gertrud Schneider

Henry Is Back The novel sits squarely in the magical realist tradition: one impossible event — Henry VIII wakes on his own grave in 2026 — drops into a scrupulously realistic world, and the impossibility is never explained, resolved, or even investigated. Like García Márquez's ascending Remedios or Rushdie's telepathic children, the resurrection simply is, described as happening "by means unknown even to the omniscient." The book's innovation is where it relocates the marvel's consequences: not folk wonder, but bureaucracy. Britain absorbs a resurrected king the way it absorbs everything — with a form. His identity is rejected by a benefits algorithm, filed by a Church committee, roped off by the National Trust. Nobody disproves he's Henry VIII; nobody tries. The magic isn't denied, it's processed, which is the sharpest possible joke about a country that would ask God for two forms of ID. Stand-up comedy is the second engine: the one modern institution licensed to say true, insane things aloud, so total sincerity becomes legible only as "commitment to a bit." The flagstone (roped, then re-roped "out of respect") and the unexplained ELO song he keeps humming are the genre's classic leaks of the impossible — evidence that something happened, and Britain, true to form, simply finds it a chair.

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