October 18, 2026
I Survived Six Executions Of My Own Making But Not The Self Checkout

I Survived Six Executions Of My Own Making But Not The Self Checkout

Henry VIII declares war on the unexpected item in the bagging area and finds it undefeated

I have ordered men beheaded for lesser crimes than what that machine just accused me of.

The Unexpected Item

I went to the supermarket in Walthamstow to buy grapes, a chicken, and something called oat milk, which I am told is not milk and is not from an oat, and nobody will explain further. I placed my chicken in the bagging area. The machine said, in a voice with no fear of the crown whatsoever, unexpected item in the bagging area. Madam, I said to the machine, I placed the item in the area myself, with my own hand, the same hand that once signed the Act of Supremacy. There was nothing unexpected about it.

Summoning The Guard

A woman in a red waistcoat arrived, tapped a card against the reader, and walked away without so much as a bow. In my court she would have been knighted for that kind of efficiency. Instead she was gone before I could ask her name, and the machine had already moved on to accusing me of stealing my own grapes, which it weighed and rejected twice, as though grapes were a new and suspicious invention rather than something Englishmen have eaten since before the Romans arrived.

The Loyalty Card

Then it asked if I had a Clubcard. I said I do not carry cards, I carry a signet ring that ends conversations permanently. It said the chicken was four pounds more without one. Four pounds. I once financed an entire war with France for less humiliation than this pricing structure. I asked the machine directly why loyalty to a supermarket costs money to prove, and it printed a receipt instead of answering, which is exactly what Wolsey used to do.

Age Verification

I attempted to purchase a bottle of wine and the machine froze entirely, demanding age verification, and flashed a red light as though the Spanish Armada had returned specifically to stop me drinking claret. A teenager appeared, glanced at my face, glanced at my beard, glanced at the general historical weight I carry into every room, and pressed a button without comment. That is the most respect anyone in this country has shown my age in five hundred years.

The Walk Of Shame

Eventually an alarm sounded because I had placed my own bag on the scale, a bag I brought from home specifically to avoid buying another bag, which is apparently also suspicious. Six members of staff turned to look. In my day a public alarm meant treason. Here it means a man from Waltham Forest is trying to save the planet one tote bag at a time and the machine has decided this is a crime against Tesco.

I left with my chicken, my grapes, and my dignity roughly forty percent intact, which honestly beats most of my marriages. Next week I am told there is a machine at the pharmacy that will do the same to me over paracetamol. I welcome the fight. I have never once lost a war I was angry enough about, and I am extremely angry about the bagging area.

Regular readers will already know this is nothing compared to my temper on a genuinely bad day. Further reading on the wider chaos of modern Britain: six pounds now apparently the going rate for a croissant on principle, the full rundown of London’s most judgmental cafes, the full eyewitness account of how I came back in the first place.

Gertrud Schneider

Henry Is Back The novel sits squarely in the magical realist tradition: one impossible event — Henry VIII wakes on his own grave in 2026 — drops into a scrupulously realistic world, and the impossibility is never explained, resolved, or even investigated. Like García Márquez's ascending Remedios or Rushdie's telepathic children, the resurrection simply is, described as happening "by means unknown even to the omniscient." The book's innovation is where it relocates the marvel's consequences: not folk wonder, but bureaucracy. Britain absorbs a resurrected king the way it absorbs everything — with a form. His identity is rejected by a benefits algorithm, filed by a Church committee, roped off by the National Trust. Nobody disproves he's Henry VIII; nobody tries. The magic isn't denied, it's processed, which is the sharpest possible joke about a country that would ask God for two forms of ID. Stand-up comedy is the second engine: the one modern institution licensed to say true, insane things aloud, so total sincerity becomes legible only as "commitment to a bit." The flagstone (roped, then re-roped "out of respect") and the unexplained ELO song he keeps humming are the genre's classic leaks of the impossible — evidence that something happened, and Britain, true to form, simply finds it a chair.

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