September 2, 2026
I Once Commanded My Court To Dress As I Pleased But Primark Would Not Let Me Skip The Queue

I Once Commanded My Court To Dress As I Pleased But Primark Would Not Let Me Skip The Queue

Henry VIII visits Primark on a Saturday afternoon and discovers that fashion, unlike a kingdom, cannot simply be seized

I once commanded an entire court to dress however I pleased, purely by decree. Primark on a Saturday afternoon commands nobody, and yet somehow moves several thousand people with more discipline than I ever achieved.

The Entrance

The queue to enter the changing rooms alone stretched the length of the ground floor, numbered tickets issued by a member of staff with the calm authority of a man who has personally seen everything a changing room queue can produce and is no longer surprised by any of it, myself included, arriving with an armful of shirts I had not yet properly examined.

The Basket System

I quickly discovered that baskets were, functionally, a competitive resource, several shoppers circling the entrance the way I once circled a particularly promising piece of contested farmland, and I secured mine only through a combination of speed and the sort of shameless confidence that once got me an entire annulment.

The Changing Room

Inside the changing room, a six-item limit was enforced strictly by a staff member checking tags against a small handheld counter, a level of inventory control I never once achieved over my own royal wardrobe despite employing several full time staff purely for that purpose. I was permitted six items. I had arrived with nine. Three shirts were returned to the rail under protest, mine.

The Till

The till queue, once I emerged victorious with three shirts and a jumper, ran a full twenty minutes, staffed by cashiers moving with a practised speed I found genuinely admirable, scanning items faster than any clerk ever logged my own royal accounts, and for roughly a third of the annual salary, a fact I found faintly troubling once I did the maths on the walk home.

The Verdict

I left with a jumper costing eight pounds that I will likely wear at every single gig for the next two years, and a genuine, hard-won respect for anyone who navigates that changing room queue weekly without losing their composure entirely. I once dissolved an entire religious order in less time than it took me to secure a basket. Primark on a Saturday remains the single most efficiently violent shopping experience I have encountered in either century.

The Next Visit

I have since learned to arrive at opening time specifically to avoid the worst of the changing room queue, a strategy that has served me well on two subsequent visits, both times leaving with considerably more restraint than my first attempt. Nine pounds for a jumper remains, in my view, one of the great unsung economic miracles of modern Britain.

I have also, since that first visit, learned to arrive with a firm mental limit before I even reach the rail, a discipline that has saved me considerable grief at the changing room checkpoint. The jumper joins the rest of my wardrobe without complaint. Further reading on the wider chaos of modern Britain: six pounds now apparently the going rate for a croissant on principle, the full rundown of London’s most judgmental cafes, the proper London pub where history finally sat down for a pint.

Defender of the Faith

Henry Is Back The novel sits squarely in the magical realist tradition: one impossible event — Henry VIII wakes on his own grave in 2026 — drops into a scrupulously realistic world, and the impossibility is never explained, resolved, or even investigated. Like García Márquez's ascending Remedios or Rushdie's telepathic children, the resurrection simply is, described as happening "by means unknown even to the omniscient." The book's innovation is where it relocates the marvel's consequences: not folk wonder, but bureaucracy. Britain absorbs a resurrected king the way it absorbs everything — with a form. His identity is rejected by a benefits algorithm, filed by a Church committee, roped off by the National Trust. Nobody disproves he's Henry VIII; nobody tries. The magic isn't denied, it's processed, which is the sharpest possible joke about a country that would ask God for two forms of ID. Stand-up comedy is the second engine: the one modern institution licensed to say true, insane things aloud, so total sincerity becomes legible only as "commitment to a bit." The flagstone (roped, then re-roped "out of respect") and the unexplained ELO song he keeps humming are the genre's classic leaks of the impossible — evidence that something happened, and Britain, true to form, simply finds it a chair.

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