September 16, 2026
Six Wives Taught Me Nothing Compared To One Week On The Dating Apps

Six Wives Taught Me Nothing Compared To One Week On The Dating Apps

Henry VIII reports from the front lines of modern romance and finds the swiping economy crueller than any Tudor court

Let me say at the outset that I am a romantic. Ask anyone. Ask several people, in fact, because individually my references are patchy.

A Widower Downloads An App

My manager, a young man called Dev who communicates entirely through a rectangle, insisted I join the dating apps for material. He set up my profile himself. Occupation, he wrote, former head of state, current head of comedy. Height, six foot one, because apparently everybody adds an inch and I refuse to be out-lied by accountants from Clapham.

Within an hour I had matched with a woman named Katherine. I unmatched immediately. Not going through that again. Then a Catherine with a C. Also no. Then a Kathryn. London, I am begging you, diversify.

The Rules Of Engagement

In my era, courtship was straightforward. You sent an ambassador, commissioned a portrait, and married the portrait sight unseen, which I admit produced mixed results in the Anne of Cleves situation. But at least the portrait did not have a filter. Modern profiles are all portraiture fraud. One gentleman I consulted for research showed me his photos and I said, sir, this image is a decade old, and he said everyone does it, and I said Hans Holbein was executed for less, which is not true, but it should have been.

The conversations are worse. A match spent four days sending me a single word at a time. Hey. Then nothing. Then, you good. In 1536 I conducted an entire treason inquiry faster than this woman constructs a sentence. I have annulled marriages with fewer delays than it takes to arrange a Tuesday drink in Shoreditch.

Red Flags, As The Youth Say

Dev taught me the concept of the red flag. He asked what mine were. I said I have a temper, I struggle with commitment past year three, and I once broke with an entire church over a custody-of-the-marriage dispute. He said maybe lead with liking dogs.

My matches had flags of their own. One woman said her ex was crazy. Madam, my ex said the same of me, and she said it in French on a scaffold, so I do not judge. Another listed her love language as acts of service. Excellent, I said, I once had a man draft the entire Act of Supremacy as a favour to me. She asked if that was a band. This generation.

The Ghosting

Then came the ghosting. A word I initially took literally, given my circumstances. A match named Jane, promising name, vanished mid-conversation and never returned. Dev explained she had ghosted me. I explained that where I come from, when someone disappears from court without explanation, you at least receive a formal letter and their lands revert to the crown. Here you receive nothing. Not even the lands. The apps have found a way to make abandonment less dignified than the sixteenth century, and I say that as the sixteenth century’s least dignified man.

So I have deleted the apps. I will meet someone the traditional way, at one of my gigs, across a crowded room, ideally in row three, because rows one and two get spat on when I do the Wolsey material. Romance is not dead. I checked. Death is temporary. I am living proof.

Anyone wanting the full accounting of how I arrived at this level of romantic caution can read the complete tally of my six wives at their leisure. Further reading on the wider chaos of modern Britain: London men listing their own dating red flags, a three person tenancy agreement that started as a quiet drink in Soho, the full eyewitness account of how I came back in the first place.

Gertrud Schneider

Henry Is Back The novel sits squarely in the magical realist tradition: one impossible event — Henry VIII wakes on his own grave in 2026 — drops into a scrupulously realistic world, and the impossibility is never explained, resolved, or even investigated. Like García Márquez's ascending Remedios or Rushdie's telepathic children, the resurrection simply is, described as happening "by means unknown even to the omniscient." The book's innovation is where it relocates the marvel's consequences: not folk wonder, but bureaucracy. Britain absorbs a resurrected king the way it absorbs everything — with a form. His identity is rejected by a benefits algorithm, filed by a Church committee, roped off by the National Trust. Nobody disproves he's Henry VIII; nobody tries. The magic isn't denied, it's processed, which is the sharpest possible joke about a country that would ask God for two forms of ID. Stand-up comedy is the second engine: the one modern institution licensed to say true, insane things aloud, so total sincerity becomes legible only as "commitment to a bit." The flagstone (roped, then re-roped "out of respect") and the unexplained ELO song he keeps humming are the genre's classic leaks of the impossible — evidence that something happened, and Britain, true to form, simply finds it a chair.

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